Author name: Daniel J. Mount

Ballads, Anthems, and the search for the right term for those highly orchestrated Somethings

In Southern Gospel, what do we call a rousing, dramatic orchestrated song? We often call it a ballad. But we don’t use the term “ballad” for just that; we’ll use it for any slow song. So we have any number of qualifiers for the term: “soft ballads” (“There’s Something About That Name”) “big ballads” (a

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Album Review: Beyond the Sunset (Cathedral Quartet)

This was originally published in four installments. By popular request, all four posts have now been combined into this single, 5350-word mega-review. Today, according to CCLI (Christian Copyright Licensing International), the 10 most popular songs in American churches are, in order, “How Great is Our God,” “Mighty to Save,” “Our God,” “Blessed Be Your Name,”

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Concert Review: Blackwood Brothers, Bill Shaw, Ken Turner, Ernie Phillips (Bostic, NC)

We’ll do a news roundup at some point—either later today, Monday, or next weekend—and catch up with regularly scheduled programming. Last night, my schedule unexpectedly opened up in time to catch the Blackwood Brothers in concert. Within the last year or so, they have added Billy Blackwood as baritone and Mike Hammontree as full-time pianist.

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Concert Review: The Homecoming that Nearly Sunk (Charlotte, NC)

Last night, I attended a Gaither Homecoming concert and videotaping in Charlotte, North Carolina. It was held in an open canvas tent on the grounds of the Billy Graham library. Daddy Sang Bass: Bluegrass mega-group Dailey and Vincent wowed the audience and proved why they have been winning seemingly every award Bluegrass has to offer

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